{"id":28871,"date":"2026-07-01T11:09:44","date_gmt":"2026-07-01T11:09:44","guid":{"rendered":"https:\/\/rsgproduction.fr\/?p=28871"},"modified":"2026-07-01T12:43:04","modified_gmt":"2026-07-01T12:43:04","slug":"backrooms","status":"publish","type":"post","link":"https:\/\/rsgproduction.fr\/?p=28871","title":{"rendered":"Backrooms"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"28871\" class=\"elementor elementor-28871\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-11ad8f1 elementor-section-boxed elementor-section-height-default elementor-section-height-default exad-glass-effect-no wpr-particle-no wpr-jarallax-no wpr-parallax-no wpr-sticky-section-no exad-sticky-section-no\" data-id=\"11ad8f1\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-7b391f1 exad-glass-effect-no exad-sticky-section-no\" data-id=\"7b391f1\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-65beec5 exad-sticky-section-no exad-glass-effect-no elementor-widget elementor-widget-spacer\" data-id=\"65beec5\" data-element_type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<style>\/*! elementor - v3.20.0 - 20-03-2024 *\/\n.elementor-column .elementor-spacer-inner{height:var(--spacer-size)}.e-con{--container-widget-width:100%}.e-con-inner>.elementor-widget-spacer,.e-con>.elementor-widget-spacer{width:var(--container-widget-width,var(--spacer-size));--align-self:var(--container-widget-align-self,initial);--flex-shrink:0}.e-con-inner>.elementor-widget-spacer>.elementor-widget-container,.e-con>.elementor-widget-spacer>.elementor-widget-container{height:100%;width:100%}.e-con-inner>.elementor-widget-spacer>.elementor-widget-container>.elementor-spacer,.e-con>.elementor-widget-spacer>.elementor-widget-container>.elementor-spacer{height:100%}.e-con-inner>.elementor-widget-spacer>.elementor-widget-container>.elementor-spacer>.elementor-spacer-inner,.e-con>.elementor-widget-spacer>.elementor-widget-container>.elementor-spacer>.elementor-spacer-inner{height:var(--container-widget-height,var(--spacer-size))}.e-con-inner>.elementor-widget-spacer.elementor-widget-empty,.e-con>.elementor-widget-spacer.elementor-widget-empty{position:relative;min-height:22px;min-width:22px}.e-con-inner>.elementor-widget-spacer.elementor-widget-empty .elementor-widget-empty-icon,.e-con>.elementor-widget-spacer.elementor-widget-empty .elementor-widget-empty-icon{position:absolute;top:0;bottom:0;left:0;right:0;margin:auto;padding:0;width:22px;height:22px}<\/style>\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-f265675 elementor-section-boxed elementor-section-height-default elementor-section-height-default exad-glass-effect-no wpr-particle-no wpr-jarallax-no wpr-parallax-no wpr-sticky-section-no exad-sticky-section-no\" data-id=\"f265675\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-no\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-33 elementor-top-column elementor-element elementor-element-c5f9418 exad-glass-effect-no exad-sticky-section-no\" data-id=\"c5f9418\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-d83485d exad-sticky-section-no exad-glass-effect-no elementor-widget elementor-widget-text-editor\" data-id=\"d83485d\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<style>\/*! elementor - v3.20.0 - 20-03-2024 *\/\n.elementor-widget-text-editor.elementor-drop-cap-view-stacked .elementor-drop-cap{background-color:#69727d;color:#fff}.elementor-widget-text-editor.elementor-drop-cap-view-framed .elementor-drop-cap{color:#69727d;border:3px solid;background-color:transparent}.elementor-widget-text-editor:not(.elementor-drop-cap-view-default) .elementor-drop-cap{margin-top:8px}.elementor-widget-text-editor:not(.elementor-drop-cap-view-default) .elementor-drop-cap-letter{width:1em;height:1em}.elementor-widget-text-editor .elementor-drop-cap{float:left;text-align:center;line-height:1;font-size:50px}.elementor-widget-text-editor .elementor-drop-cap-letter{display:inline-block}<\/style>\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default elementor-inline-editing pen\" style=\"font-size: 24px; font-style: normal; font-weight: bold; color: #000000; line-height: 1.2em; text-align: right;\" data-elementor-setting-key=\"title\" data-pen-placeholder=\"\u00c9crivez ici...\">Backrooms<\/h2><h6>\u00a0<\/h6><h6 style=\"text-align: right;\">\u00a0<\/h6><p style=\"text-align: right;\">2026<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-66 elementor-top-column elementor-element elementor-element-207dee7 exad-glass-effect-no exad-sticky-section-no\" data-id=\"207dee7\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-c9ca946 elementor-widget__width-initial exad-sticky-section-no exad-glass-effect-no elementor-widget elementor-widget-text-editor\" data-id=\"c9ca946\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p><span style=\"font-style: inherit; font-weight: inherit; letter-spacing: 0px; text-align: justify;\"><img fetchpriority=\"high\" decoding=\"async\" class=\"alignnone wp-image-28877 size-full\" src=\"http:\/\/rsgproduction.fr\/wp-content\/uploads\/2026\/07\/Snapshot_6398.png\" alt=\"\" width=\"1500\" height=\"775\" srcset=\"https:\/\/rsgproduction.fr\/wp-content\/uploads\/2026\/07\/Snapshot_6398.png 1500w, https:\/\/rsgproduction.fr\/wp-content\/uploads\/2026\/07\/Snapshot_6398-300x155.png 300w, https:\/\/rsgproduction.fr\/wp-content\/uploads\/2026\/07\/Snapshot_6398-1024x529.png 1024w, https:\/\/rsgproduction.fr\/wp-content\/uploads\/2026\/07\/Snapshot_6398-768x397.png 768w\" sizes=\"(max-width: 1500px) 100vw, 1500px\" \/><\/span><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-390b3ee elementor-section-boxed elementor-section-height-default elementor-section-height-default wpr-particle-no wpr-jarallax-no wpr-parallax-no wpr-sticky-section-no exad-sticky-section-no\" data-id=\"390b3ee\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-69fe0cf exad-glass-effect-no exad-sticky-section-no\" data-id=\"69fe0cf\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-b179872 exad-sticky-section-no exad-glass-effect-no elementor-widget elementor-widget-text-editor\" data-id=\"b179872\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p style=\"text-align: center;\">FR\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0EN<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-c40b310 e-transform exad-sticky-section-no exad-glass-effect-no elementor-widget elementor-widget-html\" data-id=\"c40b310\" data-element_type=\"widget\" data-settings=\"{&quot;_transform_scale_effect_mobile&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:0.9,&quot;sizes&quot;:[]},&quot;_transform_scale_effect&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:0.8,&quot;sizes&quot;:[]},&quot;_transform_scale_effect_tablet&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:&quot;&quot;,&quot;sizes&quot;:[]},&quot;_transform_scale_effect_mobile_extra&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:&quot;&quot;,&quot;sizes&quot;:[]}}\" data-widget_type=\"html.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\r\n<input id=\"content_switcher\" class=\"toggle_switch toggle_switch-ios\" type=\"checkbox\" \/> \r\n<label class=\"toggle_switch-button\" tabindex=\"0\" for=\"content_switcher\"><\/label>\r\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-a3a5f05 elementor-widget__width-initial exad-sticky-section-no exad-glass-effect-no elementor-widget elementor-widget-text-editor\" data-id=\"a3a5f05\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"x11i5rnm xat24cr x1mh8g0r x1vvkbs xtlvy1s x126k92a\"><div dir=\"auto\"><div dir=\"auto\"><div class=\"x11i5rnm xat24cr x1mh8g0r x1vvkbs xtlvy1s x126k92a\"><div dir=\"auto\"><div class=\"x11i5rnm xat24cr x1mh8g0r x1vvkbs xtlvy1s x126k92a\"><div dir=\"auto\"><div dir=\"auto\"><div class=\"x11i5rnm xat24cr x1mh8g0r x1vvkbs xtlvy1s x126k92a\"><div dir=\"auto\"><div class=\"x11i5rnm xat24cr x1mh8g0r x1vvkbs xtlvy1s x126k92a\"><div dir=\"auto\"><div class=\"x11i5rnm xat24cr x1mh8g0r x1vvkbs xtlvy1s x126k92a\">\u00a0<\/div><div class=\"x11i5rnm xat24cr x1mh8g0r x1vvkbs xtlvy1s x126k92a\"><div dir=\"auto\"><p>De l\u2019urbex qui se veut intelligent ? \u00c7a se discute, et pas qu\u2019un peu. Apr\u00e8s des ann\u00e9es d\u2019attente pour les plus grands fanatiques de l\u2019univers tentaculaire, labyrinthique (et pour beaucoup, horrifique) des espaces liminaux, voil\u00e0 donc enfin un film se concentrant sur le concept liminaire le plus c\u00e9l\u00e8bre : les <em>backrooms<\/em>. Et le r\u00e9sultat en fait jacter plus d\u2019un.<\/p><p>Les <em>backrooms<\/em> (ou arri\u00e8re-salles, en fran\u00e7ais), c\u2019est un ensemble infini de pi\u00e8ces jaun\u00e2tres vides, \u00e0 la moquette et aux murs monochromes et un peu d\u00e9mod\u00e9s, \u00e0 l\u2019\u00e9clairage peu chaleureux et bourdonnant, \u00e0 l\u2019architecture sommaire mais compl\u00e8tement absurde, o\u00f9 surgissent parfois des incongruit\u00e9s en mati\u00e8re d\u2019ameublement \u2013 voire de population. Si tout est parti d\u2019une b\u00eate photographie mal cadr\u00e9e de 2003, prise dans un immeuble vieillot d\u2019Oshkosh, dans le Wisconsin, puis republi\u00e9e en 2019 sur <em>4chan<\/em> agr\u00e9ment\u00e9e d\u2019une l\u00e9gende abstraite, Internet s\u2019est depuis totalement emball\u00e9. Ces espaces bilieux ne constituent d\u00e9sormais que ledit \u00ab\u00a0Niveau 0\u00a0\u00bb, puisque les <em>backrooms<\/em> se sont entre-temps consid\u00e9rablement \u00e9largies, avec des d\u00e9clinaisons aussi fantasques que nombreuses. Les forums et r\u00e9seaux sociaux fourmillent ainsi de visuels, de fichiers et de textes se rapprochant de pr\u00e8s ou de loin \u00e0 ce qui s\u2019inscrit plus globalement dans une vaste mythologie autour de ce que l\u2019anthropologue fran\u00e7ais Jean-Marc Aug\u00e9 d\u00e9finit comme des \u00ab\u00a0non-lieux\u00a0\u00bb, c\u2019est-\u00e0-dire des espaces transitoires, de passage, qui, vides de leurs habitants provisoires, peuvent susciter curiosit\u00e9, malaise voire angoisse (des longs couloirs, par exemple).<\/p><p>Des vid\u00e9astes se sont bien \u00e9videmment empar\u00e9s de cette <em>creepypasta<\/em>, et Kane Parsons (alias Kane Pixels) en fait partie. Son troublant court-m\u00e9trage et son atypique s\u00e9rie \u00ab\u00a0The Backrooms\u00a0\u00bb, disponibles sur YouTube, ont ainsi fait le tour du monde. Jusqu\u2019\u00e0 interpeller les studios <em>A24<\/em> qui, \u00e0 hauteur de \u00ab seulement \u00bb dix millions de dollars, lui ont donn\u00e9 carte blanche. Jolie promesse, avec un bon casting (Chiwetel Ejiofor et Renate Reinsve en protagonistes) et surtout la construction d\u2019un d\u00e9dale [ir]r\u00e9el de d\u00e9cors. Mais que vaut concr\u00e8tement ce long-m\u00e9trage que d\u2019aucuns qualifient d\u2019anthologie ?<\/p><p><img decoding=\"async\" class=\"alignnone wp-image-28875 size-full\" src=\"http:\/\/rsgproduction.fr\/wp-content\/uploads\/2026\/07\/Snapshot_6396.png\" alt=\"\" width=\"1500\" height=\"775\" srcset=\"https:\/\/rsgproduction.fr\/wp-content\/uploads\/2026\/07\/Snapshot_6396.png 1500w, https:\/\/rsgproduction.fr\/wp-content\/uploads\/2026\/07\/Snapshot_6396-300x155.png 300w, https:\/\/rsgproduction.fr\/wp-content\/uploads\/2026\/07\/Snapshot_6396-1024x529.png 1024w, https:\/\/rsgproduction.fr\/wp-content\/uploads\/2026\/07\/Snapshot_6396-768x397.png 768w\" sizes=\"(max-width: 1500px) 100vw, 1500px\" \/><\/p><p>Immense d\u00e9fi que de mettre sur grand \u00e9cran un univers n\u00e9 sur le web, ne serait-ce que sur le plan photographique. Les <em>backrooms<\/em> et autres espaces liminaux ont presque toujours \u00e9t\u00e9 repr\u00e9sent\u00e9s virtuellement par le biais d\u2019images (parfois faussement) d\u2019archives, de <em>found footages<\/em>, de ce qui s\u2019ins\u00e8re dans ce que l\u2019on appelle l\u2019\u00ab\u00a0horreur analogique\u00a0\u00bb, compos\u00e9e de photos et de vid\u00e9os de mauvaise qualit\u00e9 typiques des ann\u00e9es 1990 et 2000. L\u2019histoire, justement, se situe dans ces d\u00e9cennies afin de donner une l\u00e9gitimit\u00e9 aux s\u00e9quences tourn\u00e9es au cam\u00e9scope. Et elles sont nombreuses dans le film, puisque le socle des <em>backrooms<\/em>, c\u2019est ce grain amateur, tr\u00e8s r\u00e9guli\u00e8rement \u00e0 la premi\u00e8re personne, qui offre une immersion intrigante. L\u2019atmosph\u00e8re \u00e9trange des lieux est ainsi conserv\u00e9e, m\u00eame lorsque la cam\u00e9ra passe \u00e0 la troisi\u00e8me personne et prend le temps de se poser pour s\u2019impr\u00e9gner du surr\u00e9el, de l\u2019irrationnel et de l\u2019oppressant de ces arri\u00e8re-salles, quitte \u00e0 rendre le monde ext\u00e9rieur et r\u00e9el presque aussi faux et contrefait \u2013 avec par exemple des couleurs satur\u00e9es et des espaces urbains qui paraissent d\u00e9noter. Visuellement, le long-m\u00e9trage est donc impeccable, peut-\u00eatre m\u00eame un peu trop.<\/p><p>N\u00e9anmoins, c\u2019est sur le plan structurel que \u00ab\u00a0Backrooms\u00a0\u00bb perd de sa substance, parce que pr\u00e9cis\u00e9ment le film est structur\u00e9 de fa\u00e7on trop lisse et conventionnelle pour la mythologie qu\u2019il est cens\u00e9 repr\u00e9senter. Premi\u00e8rement, le sc\u00e9nario se r\u00e9p\u00e8te, avec deux d\u00e9couvertes et explorations similaires qui s\u2019encha\u00eenent\u00a0: celle de Clark, puis celle de Mary, la premi\u00e8re \u00e9tant d\u2019ailleurs vraiment mieux construite que la seconde. Deuxi\u00e8mement, l\u2019instillation d\u2019une psychologie basique \u00e0 travers la relation superficielle entre les deux personnages principaux est probl\u00e9matique, parce qu\u2019elle r\u00e9duit incommensurablement le champ des possibles non seulement pour les d\u00e9cors mais aussi pour les protagonistes eux-m\u00eames\u00a0; en d\u2019autres termes, le monde des <em>backrooms<\/em> se cantonne \u00e0 une forme de projection du mal-\u00eatre et des traumatismes personnels alors qu\u2019il est bien plus que \u00e7a. Troisi\u00e8mement, la conclusion du long-m\u00e9trage, qui est certes l\u2019int\u00e9gration d\u2019un \u00e9l\u00e9ment central de la s\u00e9rie originelle de Kane Parsons, fait presque tache, car elle \u00f4te une part non n\u00e9gligeable du myst\u00e8re que rev\u00eat l\u2019univers des espaces liminaux, myst\u00e8re d\u00e9j\u00e0 ab\u00eem\u00e9 par une sc\u00e9narisation assez fragile et facilement tourn\u00e9e vers le complotisme.<\/p><p><img decoding=\"async\" class=\"alignnone wp-image-28876 size-full\" src=\"http:\/\/rsgproduction.fr\/wp-content\/uploads\/2026\/07\/Snapshot_6397.png\" alt=\"\" width=\"1500\" height=\"775\" srcset=\"https:\/\/rsgproduction.fr\/wp-content\/uploads\/2026\/07\/Snapshot_6397.png 1500w, https:\/\/rsgproduction.fr\/wp-content\/uploads\/2026\/07\/Snapshot_6397-300x155.png 300w, https:\/\/rsgproduction.fr\/wp-content\/uploads\/2026\/07\/Snapshot_6397-1024x529.png 1024w, https:\/\/rsgproduction.fr\/wp-content\/uploads\/2026\/07\/Snapshot_6397-768x397.png 768w\" sizes=\"(max-width: 1500px) 100vw, 1500px\" \/><\/p><p>Somme toute, c\u2019est tout un pan de la philosophie des <em>backrooms<\/em> qui se perd \u00e0 travers leur \u00ab\u00a0cin\u00e9matographisation\u00a0\u00bb. Parce que ce monde est d\u00e9mesur\u00e9, le restreindre \u00e0 un long-m\u00e9trage vendu comme une porte d\u2019entr\u00e9e est une erreur. D\u2019autres films qui ne se revendiquent d\u2019ailleurs pas sp\u00e9cialement de la liminalit\u00e9 ou sont ant\u00e9rieurs \u00e0 la formalisation de ce concept invoquent plus fid\u00e8lement l\u2019ambiance des espaces liminaux\u00a0: citons \u00ab\u00a0Shining\u00a0\u00bb en 1980, \u00ab\u00a0Toys\u00a0\u00bb en 1992 et \u00ab\u00a0The Truman Show\u00a0\u00bb en 1998. \u00c0 l\u2019inverse, des longs-m\u00e9trages et des s\u00e9ries plus r\u00e9centes qui usent plus frontalement des codes de la liminarit\u00e9 fonctionnent mieux, que ce soient \u00ab\u00a0Severance\u00a0\u00bb dont les couloirs blanc immacul\u00e9 rehaussent l\u2019\u00e9trange de l\u2019intrigue, \u00ab\u00a0Vivarium\u00a0\u00bb dont le lotissement infini invite \u00e0 une profonde remise en question de notre qu\u00eate de stabilit\u00e9, ou encore l\u2019excellent \u00ab\u00a0Exit 8\u00a0\u00bb qui pour le coup est certainement (\u00e0 notre humble connaissance) la meilleure retranscription cin\u00e9matographique des <em>backrooms<\/em>.<\/p><p>\u00ab\u00a0Backrooms\u00a0\u00bb n\u2019est pas un film mauvais en soi. Outre, une nouvelle fois, une r\u00e9ussite technique indiscutable, il propose notamment une clef de lecture innovante et tr\u00e8s bien mise en sc\u00e8ne sur ce que peut repr\u00e9senter cette r\u00e9alit\u00e9 alternative. Mais en tentant de rationaliser (et de simplifier) via le septi\u00e8me art un univers proprement irrationnel avec de surcro\u00eet des poncifs du cin\u00e9ma d\u2019horreur moins palpitants que ce que l\u2019on peut trouver sur le Net, le rendu est quelque peu critiquable. Kane Parsons a malgr\u00e9 tout relev\u00e9 un d\u00e9fi difficile et en ressort financi\u00e8rement gagnant avec <em>A24<\/em>\u00a0; esp\u00e9rons qu\u2019il fera mieux pour la suite.<\/p><\/div><\/div><div class=\"x11i5rnm xat24cr x1mh8g0r x1vvkbs xtlvy1s x126k92a\"><div dir=\"auto\"><p>Axel Chevalier<\/p><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-42480e6 elementor-widget__width-initial exad-sticky-section-no exad-glass-effect-no elementor-widget elementor-widget-text-editor\" data-id=\"42480e6\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"x11i5rnm xat24cr x1mh8g0r x1vvkbs xtlvy1s x126k92a\"><div dir=\"auto\"><div dir=\"auto\"><div class=\"x11i5rnm xat24cr x1mh8g0r x1vvkbs xtlvy1s x126k92a\"><div dir=\"auto\"><div class=\"x11i5rnm xat24cr x1mh8g0r x1vvkbs xtlvy1s x126k92a\"><div dir=\"auto\"><div class=\"x11i5rnm xat24cr x1mh8g0r x1vvkbs xtlvy1s x126k92a\"><div dir=\"auto\"><div class=\"x11i5rnm xat24cr x1mh8g0r x1vvkbs xtlvy1s x126k92a\"><div dir=\"auto\"><div dir=\"auto\"><div class=\"x11i5rnm xat24cr x1mh8g0r x1vvkbs xtlvy1s x126k92a\"><div dir=\"auto\"><div class=\"x11i5rnm xat24cr x1mh8g0r x1vvkbs xtlvy1s x126k92a\"><div dir=\"auto\"><div class=\"x11i5rnm xat24cr x1mh8g0r x1vvkbs xtlvy1s x126k92a\"><div dir=\"auto\">\u00a0<\/div><\/div><div class=\"x11i5rnm xat24cr x1mh8g0r x1vvkbs xtlvy1s x126k92a\"><div dir=\"auto\"><p>Is this nothing more than some kind of urbex that claims to be sophisticated? That\u2019s debatable \u2013 and not just a little. After years of waiting for the biggest fans of the sprawling, labyrinthine (and, for many, terrifying) world of liminal spaces, here is finally a film that focuses on the most famous liminal concept of all: the <em>backrooms<\/em>. And it\u2019s got quite a few people talking.<\/p><p>Backrooms are an endless array of empty, yellowish rooms with carpeted floors and monochromatic, slightly outdated walls; uninviting, humming lighting; and a rudimentary yet completely nonsensical architecture, where incongruities in furnishings \u2013 or even in the people inhabiting them \u2013 sometimes pop up. It all started with a simple, poorly framed photograph from 2003, taken in an old building in Oshkosh, Wisconsin, and then reposted in 2019 on <em>4chan<\/em> with an abstract caption \u2013 and the internet has been completely obsessed ever since. These bizarre spaces now constitute only what is known as \u201cLevel 0\u201d, since the backrooms have since expanded considerably, with variations as whimsical as they are plentiful. Forums and social media are thus full of images, files, and posts that are more or less closely related to what is part of a broader mythology surrounding what the French anthropologist Jean-Marc Aug\u00e9 defines as \u201cnon-places\u201d, that is, transitional spaces, places of passage, which, when empty of their temporary occupants, can arouse curiosity, unease, or even anxiety (long hallways, for example).<\/p><p>Video creators have, of course, taken on this <em>creepypasta<\/em>, and Kane Parsons (aka Kane Pixels) is one of them. His unsettling short film and his unconventional series \u201cThe Backrooms\u201d, available on <em>YouTube<\/em>, have gone viral around the world. This even caught the attention of <em>A24<\/em> Studios, which \u2013 for \u201conly\u201d ten million dollars \u2013 gave him carte blanche. It\u2019s a promising project, with a strong cast (Chiwetel Ejiofor and Renate Reinsve in the lead roles) and, above all, the creation of an [un]real labyrinth of sets. But what is this film, which some describe as an anthology, actually worth?<\/p><p><img decoding=\"async\" class=\"alignnone wp-image-28875 size-full\" src=\"http:\/\/rsgproduction.fr\/wp-content\/uploads\/2026\/07\/Snapshot_6396.png\" alt=\"\" width=\"1500\" height=\"775\" srcset=\"https:\/\/rsgproduction.fr\/wp-content\/uploads\/2026\/07\/Snapshot_6396.png 1500w, https:\/\/rsgproduction.fr\/wp-content\/uploads\/2026\/07\/Snapshot_6396-300x155.png 300w, https:\/\/rsgproduction.fr\/wp-content\/uploads\/2026\/07\/Snapshot_6396-1024x529.png 1024w, https:\/\/rsgproduction.fr\/wp-content\/uploads\/2026\/07\/Snapshot_6396-768x397.png 768w\" sizes=\"(max-width: 1500px) 100vw, 1500px\" \/><\/p><p>Bringing a world born on the web to the big screen is a huge challenge, if only from a visual standpoint. <em>Backrooms<\/em> and other liminal spaces have almost always been depicted virtually through (sometimes fake) archival images, found footage, and what falls under the category of \u201canalog horror\u201d, featuring poor-quality photos and videos typical of the 1990s and 2000s. The story is set precisely during those decades to lend legitimacy to the sequences shot on a camcorder. And there are many of them in the film, since the foundation of the <em>backrooms<\/em> is this amateurish grain (very often shot in first person) which offers an intriguing sense of immersion. The strange atmosphere of these spaces is thus preserved, even when the camera switches to a third-person perspective and takes the time to linger, soaking in the surreal, irrational, and oppressive nature of these backrooms \u2013 even if it means making the outside, real world seem almost as fake and artificial, with, for example, saturated colors and urban spaces that seem out of place. Visually, the movie is therefore flawless \u2013 perhaps even a little too much so.<\/p><p>However, it is structurally that \u201cBackrooms\u201d loses some of its substance, precisely because the film is structured in a way that is too smooth and conventional for the mythology it is meant to convey. First, the plot becomes repetitive, with two similar discoveries and explorations following one after the other: Clark\u2019s, then Mary\u2019s \u2013 the former being, incidentally, much better built than the latter. Second, the introduction of simplistic psychology through the superficial relationship between the two main characters is problematic, because it immeasurably narrows the range of possibilities not only for the settings but also for the protagonists themselves; in other words, the world of the <em>backrooms<\/em> is confined to a form of projection of personal distress and trauma, when it is actually much more than that. Third, the film\u2019s conclusion \u2013 which admittedly brings in a central element from Kane Parsons\u2019 original series \u2013 stands out almost jarringly, as it strips away a significant portion of the mystery surrounding the world of liminal spaces, a mystery already undermined by a rather flimsy screenplay that veers too easily toward conspiracy theories.<\/p><p><img decoding=\"async\" class=\"alignnone wp-image-28876 size-full\" src=\"http:\/\/rsgproduction.fr\/wp-content\/uploads\/2026\/07\/Snapshot_6397.png\" alt=\"\" width=\"1500\" height=\"775\" srcset=\"https:\/\/rsgproduction.fr\/wp-content\/uploads\/2026\/07\/Snapshot_6397.png 1500w, https:\/\/rsgproduction.fr\/wp-content\/uploads\/2026\/07\/Snapshot_6397-300x155.png 300w, https:\/\/rsgproduction.fr\/wp-content\/uploads\/2026\/07\/Snapshot_6397-1024x529.png 1024w, https:\/\/rsgproduction.fr\/wp-content\/uploads\/2026\/07\/Snapshot_6397-768x397.png 768w\" sizes=\"(max-width: 1500px) 100vw, 1500px\" \/><\/p><p>All in all, a whole aspect of the concept of <em>backrooms<\/em> is lost in their translation to the big screen. Because this world is so vast, confining it to a feature film marketed as a gateway is a mistake. Other films \u2013 which, incidentally, do not specifically claim to explore liminality or predate the formalization of this concept \u2013 faithfully capture the atmosphere of liminal spaces: examples include \u201cThe Shining\u201d (1980), \u201cToys\u201d (1992), and \u201cThe Truman Show\u201d (1998). Conversely, more recent films and series that make more direct use of the codes of liminality work better, whether it\u2019s \u201cSeverance\u201d, whose immaculate white hallways heighten the strangeness of the plot, \u201cVivarium,\u201d whose endless housing development invites us to deeply question our quest for stability, or the excellent \u201cExit 8\u201d, which is arguably (to the best of our knowledge) the best cinematic depiction of <em>backrooms<\/em>.<\/p><p>\u201cBackrooms\u201d isn&rsquo;t a bad movie in and of itself. Aside from being, once again, an indisputable technical achievement, it offers an innovative and very well-staged interpretation of what this alternative reality might represent. But by attempting to rationalize (and simplify) a truly irrational universe through cinema \u2013 and doing so with horror movie tropes that are less thrilling than what can be found online \u2013 the result is somewhat open to criticism. Kane Parsons has nonetheless risen to a tough challenge and come out a financial winner with <em>A24<\/em>; let\u2019s hope he does even better next time.<\/p><p>Axel Chevalier<\/p><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-e213b9d elementor-section-boxed elementor-section-height-default elementor-section-height-default exad-glass-effect-no wpr-particle-no wpr-jarallax-no wpr-parallax-no wpr-sticky-section-no exad-sticky-section-no\" data-id=\"e213b9d\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-f72c849 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elementor-element-559c6b3 exad-sticky-section-no exad-glass-effect-no elementor-widget elementor-widget-html\" data-id=\"559c6b3\" data-element_type=\"widget\" data-widget_type=\"html.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\r\n<script>\r\nif (!(document.querySelector('.elementor-editor-active'))){\r\n    let toggleSwitches = document.querySelectorAll('.toggle_switch'); \r\n    toggleSwitches.forEach((e,i) => {\r\n        let shown = e.closest('.elementor-element').nextElementSibling;\r\n        let toBeShown = shown.nextElementSibling;\r\n        toBeShown.style.display = 'none';\r\n        e.addEventListener('change', function(){\r\n            if (e.checked){\r\n            shown.style.display = 'none';\r\n            toBeShown.style.display = 'block';\r\n            } else {\r\n            shown.style.display = 'block';\r\n            toBeShown.style.display = 'none';\r\n            }\r\n        });\r\n    });\r\n}\r\n<\/script>\r\n<style>\r\n   \/* 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elementor-element elementor-element-21a8553 elementor-section-boxed elementor-section-height-default elementor-section-height-default exad-glass-effect-no wpr-particle-no wpr-jarallax-no wpr-parallax-no wpr-sticky-section-no exad-sticky-section-no\" data-id=\"21a8553\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-4c0bbab exad-glass-effect-no exad-sticky-section-no\" data-id=\"4c0bbab\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-fcb1d8b exad-sticky-section-no exad-glass-effect-no elementor-widget elementor-widget-spacer\" data-id=\"fcb1d8b\" data-element_type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-156e97e elementor-section-boxed elementor-section-height-default elementor-section-height-default exad-glass-effect-no wpr-particle-no wpr-jarallax-no wpr-parallax-no wpr-sticky-section-no exad-sticky-section-no\" data-id=\"156e97e\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-top-column elementor-element elementor-element-87e8b5e exad-glass-effect-no exad-sticky-section-no\" data-id=\"87e8b5e\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-a3e94e1 exad-sticky-section-no exad-glass-effect-no elementor-widget elementor-widget-image\" data-id=\"a3e94e1\" data-element_type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<style>\/*! elementor - v3.20.0 - 20-03-2024 *\/\n.elementor-widget-image{text-align:center}.elementor-widget-image a{display:inline-block}.elementor-widget-image a img[src$=\".svg\"]{width:48px}.elementor-widget-image img{vertical-align:middle;display:inline-block}<\/style>\t\t\t\t\t\t\t<figure class=\"wp-caption\">\n\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/rsgproduction.fr\/?p=22540\">\n\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"155\" src=\"https:\/\/rsgproduction.fr\/wp-content\/uploads\/2025\/09\/Snapshot_4710-300x155.png\" class=\"attachment-medium size-medium wp-image-22584\" alt=\"\" srcset=\"https:\/\/rsgproduction.fr\/wp-content\/uploads\/2025\/09\/Snapshot_4710-300x155.png 300w, https:\/\/rsgproduction.fr\/wp-content\/uploads\/2025\/09\/Snapshot_4710-1024x529.png 1024w, https:\/\/rsgproduction.fr\/wp-content\/uploads\/2025\/09\/Snapshot_4710-768x397.png 768w, https:\/\/rsgproduction.fr\/wp-content\/uploads\/2025\/09\/Snapshot_4710.png 1500w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/>\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t\t\t<figcaption class=\"widget-image-caption wp-caption-text\">Exit 8<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-top-column elementor-element elementor-element-e2bc5d0 exad-glass-effect-no exad-sticky-section-no\" data-id=\"e2bc5d0\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-86dc178 exad-sticky-section-no exad-glass-effect-no elementor-widget elementor-widget-image\" data-id=\"86dc178\" data-element_type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t<figure class=\"wp-caption\">\n\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/rsgproduction.fr\/?p=24665\">\n\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"155\" src=\"https:\/\/rsgproduction.fr\/wp-content\/uploads\/2025\/04\/Snapshot_3527-300x155.png\" class=\"attachment-medium size-medium wp-image-19658\" alt=\"\" srcset=\"https:\/\/rsgproduction.fr\/wp-content\/uploads\/2025\/04\/Snapshot_3527-300x155.png 300w, https:\/\/rsgproduction.fr\/wp-content\/uploads\/2025\/04\/Snapshot_3527-1024x529.png 1024w, https:\/\/rsgproduction.fr\/wp-content\/uploads\/2025\/04\/Snapshot_3527-768x397.png 768w, https:\/\/rsgproduction.fr\/wp-content\/uploads\/2025\/04\/Snapshot_3527.png 1500w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/>\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t\t\t<figcaption class=\"widget-image-caption wp-caption-text\">Severance<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-d28d6b8 elementor-section-boxed elementor-section-height-default elementor-section-height-default exad-glass-effect-no wpr-particle-no wpr-jarallax-no wpr-parallax-no wpr-sticky-section-no exad-sticky-section-no\" data-id=\"d28d6b8\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-da1cf23 exad-glass-effect-no exad-sticky-section-no\" data-id=\"da1cf23\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-7a2941b exad-sticky-section-no exad-glass-effect-no elementor-widget elementor-widget-spacer\" data-id=\"7a2941b\" data-element_type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>Backrooms \u00a0 \u00a0 2026 FR\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0EN \u00a0 De l\u2019urbex qui se veut intelligent ? \u00c7a se discute, et pas qu\u2019un peu. Apr\u00e8s des ann\u00e9es d\u2019attente pour les plus grands fanatiques de l\u2019univers tentaculaire, labyrinthique (et pour beaucoup, horrifique) des espaces liminaux, voil\u00e0 donc enfin un film se &hellip;<\/p>\n<p class=\"read-more\"> <a class=\"\" href=\"https:\/\/rsgproduction.fr\/?p=28871\"> <span class=\"screen-reader-text\">Backrooms<\/span> Lire la suite\u00a0\u00bb<\/a><\/p>\n","protected":false},"author":1,"featured_media":28873,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"elementor_header_footer","format":"standard","meta":{"_acf_changed":false,"_eb_attr":"","om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","footnotes":""},"categories":[102,51,47,55,76],"tags":[],"class_list":["post-28871","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-absurde","category-us-inde","category-horreur","category-metaphores","category-premiers-films"],"acf":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/rsgproduction.fr\/index.php?rest_route=\/wp\/v2\/posts\/28871"}],"collection":[{"href":"https:\/\/rsgproduction.fr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/rsgproduction.fr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/rsgproduction.fr\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/rsgproduction.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=28871"}],"version-history":[{"count":16,"href":"https:\/\/rsgproduction.fr\/index.php?rest_route=\/wp\/v2\/posts\/28871\/revisions"}],"predecessor-version":[{"id":28901,"href":"https:\/\/rsgproduction.fr\/index.php?rest_route=\/wp\/v2\/posts\/28871\/revisions\/28901"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/rsgproduction.fr\/index.php?rest_route=\/wp\/v2\/media\/28873"}],"wp:attachment":[{"href":"https:\/\/rsgproduction.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=28871"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/rsgproduction.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=28871"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/rsgproduction.fr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=28871"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}