{"id":10600,"date":"2024-06-14T16:18:56","date_gmt":"2024-06-14T16:18:56","guid":{"rendered":"https:\/\/rsgproduction.fr\/?p=10600"},"modified":"2025-01-20T02:22:35","modified_gmt":"2025-01-20T02:22:35","slug":"a-contretemps","status":"publish","type":"post","link":"https:\/\/rsgproduction.fr\/?p=10600","title":{"rendered":"A Contretemps"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"10600\" class=\"elementor elementor-10600\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-11ad8f1 elementor-section-boxed elementor-section-height-default elementor-section-height-default exad-glass-effect-no wpr-particle-no wpr-jarallax-no wpr-parallax-no wpr-sticky-section-no exad-sticky-section-no\" data-id=\"11ad8f1\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-7b391f1 exad-glass-effect-no exad-sticky-section-no\" data-id=\"7b391f1\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-65beec5 exad-sticky-section-no exad-glass-effect-no elementor-widget elementor-widget-spacer\" data-id=\"65beec5\" data-element_type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<style>\/*! elementor - v3.20.0 - 20-03-2024 *\/\n.elementor-column .elementor-spacer-inner{height:var(--spacer-size)}.e-con{--container-widget-width:100%}.e-con-inner>.elementor-widget-spacer,.e-con>.elementor-widget-spacer{width:var(--container-widget-width,var(--spacer-size));--align-self:var(--container-widget-align-self,initial);--flex-shrink:0}.e-con-inner>.elementor-widget-spacer>.elementor-widget-container,.e-con>.elementor-widget-spacer>.elementor-widget-container{height:100%;width:100%}.e-con-inner>.elementor-widget-spacer>.elementor-widget-container>.elementor-spacer,.e-con>.elementor-widget-spacer>.elementor-widget-container>.elementor-spacer{height:100%}.e-con-inner>.elementor-widget-spacer>.elementor-widget-container>.elementor-spacer>.elementor-spacer-inner,.e-con>.elementor-widget-spacer>.elementor-widget-container>.elementor-spacer>.elementor-spacer-inner{height:var(--container-widget-height,var(--spacer-size))}.e-con-inner>.elementor-widget-spacer.elementor-widget-empty,.e-con>.elementor-widget-spacer.elementor-widget-empty{position:relative;min-height:22px;min-width:22px}.e-con-inner>.elementor-widget-spacer.elementor-widget-empty .elementor-widget-empty-icon,.e-con>.elementor-widget-spacer.elementor-widget-empty .elementor-widget-empty-icon{position:absolute;top:0;bottom:0;left:0;right:0;margin:auto;padding:0;width:22px;height:22px}<\/style>\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-f265675 elementor-section-boxed elementor-section-height-default elementor-section-height-default exad-glass-effect-no wpr-particle-no wpr-jarallax-no wpr-parallax-no wpr-sticky-section-no exad-sticky-section-no\" data-id=\"f265675\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-no\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-33 elementor-top-column elementor-element elementor-element-c5f9418 exad-glass-effect-no exad-sticky-section-no\" data-id=\"c5f9418\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-d83485d exad-sticky-section-no exad-glass-effect-no elementor-widget elementor-widget-text-editor\" data-id=\"d83485d\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<style>\/*! elementor - v3.20.0 - 20-03-2024 *\/\n.elementor-widget-text-editor.elementor-drop-cap-view-stacked .elementor-drop-cap{background-color:#69727d;color:#fff}.elementor-widget-text-editor.elementor-drop-cap-view-framed .elementor-drop-cap{color:#69727d;border:3px solid;background-color:transparent}.elementor-widget-text-editor:not(.elementor-drop-cap-view-default) .elementor-drop-cap{margin-top:8px}.elementor-widget-text-editor:not(.elementor-drop-cap-view-default) .elementor-drop-cap-letter{width:1em;height:1em}.elementor-widget-text-editor .elementor-drop-cap{float:left;text-align:center;line-height:1;font-size:50px}.elementor-widget-text-editor .elementor-drop-cap-letter{display:inline-block}<\/style>\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default elementor-inline-editing pen\" style=\"font-size: 24px; font-style: normal; font-weight: bold; color: #000000; line-height: 1.2em; text-align: right;\" data-elementor-setting-key=\"title\" data-pen-placeholder=\"\u00c9crivez ici...\">A Contretemps<\/h2><h5>\u00a0<\/h5><h5 style=\"text-align: right;\">En los m\u00e1rgenes (On the Fringe)<\/h5><p style=\"text-align: right;\">2022\/2023<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-66 elementor-top-column elementor-element elementor-element-207dee7 exad-glass-effect-no exad-sticky-section-no\" data-id=\"207dee7\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-c9ca946 elementor-widget__width-initial exad-sticky-section-no exad-glass-effect-no elementor-widget elementor-widget-text-editor\" data-id=\"c9ca946\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p><span style=\"font-style: inherit; font-weight: inherit; letter-spacing: 0px; text-align: justify;\"><img fetchpriority=\"high\" decoding=\"async\" class=\"alignnone wp-image-10644 size-full\" src=\"http:\/\/rsgproduction.fr\/wp-content\/uploads\/2024\/06\/Snapshot_1286.png\" alt=\"\" width=\"1500\" height=\"775\" srcset=\"https:\/\/rsgproduction.fr\/wp-content\/uploads\/2024\/06\/Snapshot_1286.png 1500w, https:\/\/rsgproduction.fr\/wp-content\/uploads\/2024\/06\/Snapshot_1286-300x155.png 300w, https:\/\/rsgproduction.fr\/wp-content\/uploads\/2024\/06\/Snapshot_1286-1024x529.png 1024w, https:\/\/rsgproduction.fr\/wp-content\/uploads\/2024\/06\/Snapshot_1286-768x397.png 768w\" sizes=\"(max-width: 1500px) 100vw, 1500px\" \/><\/span><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-390b3ee elementor-section-boxed elementor-section-height-default elementor-section-height-default wpr-particle-no wpr-jarallax-no wpr-parallax-no wpr-sticky-section-no exad-sticky-section-no\" data-id=\"390b3ee\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-69fe0cf exad-glass-effect-no exad-sticky-section-no\" data-id=\"69fe0cf\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-b179872 exad-sticky-section-no exad-glass-effect-no elementor-widget elementor-widget-text-editor\" data-id=\"b179872\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p style=\"text-align: center;\">FR\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0EN<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-c40b310 e-transform exad-sticky-section-no exad-glass-effect-no elementor-widget elementor-widget-html\" data-id=\"c40b310\" data-element_type=\"widget\" data-settings=\"{&quot;_transform_scale_effect_mobile&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:0.9,&quot;sizes&quot;:[]},&quot;_transform_scale_effect&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:0.8,&quot;sizes&quot;:[]},&quot;_transform_scale_effect_tablet&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:&quot;&quot;,&quot;sizes&quot;:[]},&quot;_transform_scale_effect_mobile_extra&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:&quot;&quot;,&quot;sizes&quot;:[]}}\" data-widget_type=\"html.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\r\n<input id=\"content_switcher\" class=\"toggle_switch toggle_switch-ios\" type=\"checkbox\" \/> \r\n<label class=\"toggle_switch-button\" tabindex=\"0\" for=\"content_switcher\"><\/label>\r\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-a3a5f05 elementor-widget__width-initial exad-sticky-section-no exad-glass-effect-no elementor-widget elementor-widget-text-editor\" data-id=\"a3a5f05\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"x11i5rnm xat24cr x1mh8g0r x1vvkbs xtlvy1s x126k92a\"><div dir=\"auto\"><div dir=\"auto\"><div class=\"x11i5rnm xat24cr x1mh8g0r x1vvkbs xtlvy1s x126k92a\"><div dir=\"auto\"><div class=\"x11i5rnm xat24cr x1mh8g0r x1vvkbs xtlvy1s x126k92a\"><div dir=\"auto\"><div dir=\"auto\"><div class=\"x11i5rnm xat24cr x1mh8g0r x1vvkbs xtlvy1s x126k92a\"><div dir=\"auto\"><div class=\"x11i5rnm xat24cr x1mh8g0r x1vvkbs xtlvy1s x126k92a\"><div dir=\"auto\"><div class=\"x11i5rnm xat24cr x1mh8g0r x1vvkbs xtlvy1s x126k92a\">\u00a0<\/div><div class=\"x11i5rnm xat24cr x1mh8g0r x1vvkbs xtlvy1s x126k92a\"><div dir=\"auto\"><p>Pour son premier long-m\u00e9trage, Juan Diego Botto signe un film engag\u00e9 tout aussi haletant qu\u2019\u00e9mouvant\u00a0en m\u00ealant son message social \u00e0 la tension constante d\u2019un thriller. Co-\u00e9crit avec la journaliste d\u2019investigation Olga Rodriguez (sa femme), son sc\u00e9nario aborde les expulsions de domicile durant la crise \u00e9conomique en Espagne. Le film met en sc\u00e8ne un avocat en mouvement perp\u00e9tuel, figure du justicier envahi par l\u2019impuissance d\u2019un homme qui court quitte \u00e0 sacrifier sa propre vie\u00a0; une m\u00e8re courage dont l\u2019expulsion est imminente mais refuse de perdre et croit en la solidarit\u00e9\u00a0; et une galerie de personnages touch\u00e9s par les effets de cette crise. \u00ab\u00a0A Contretemps\u00a0\u00bb m\u00eale ainsi trois histoires \u00e0 tiroir dont les personnages se croisent \u00e0 un rythme surproductif face \u00e0 des institutions sourdes \u00e0 la souffrance. Car le vrai personnage central du film est bien le syst\u00e8me qui y est d\u00e9crit, celui d\u2019un capitalisme d\u00e9shumanis\u00e9, rouleau compresseur aveugle qui ne peut que submerger ses propres rouages-marionnettes.<\/p><p>Pr\u00e9sent\u00e9 \u00e0 la Mostra de Venise 2022 et nomm\u00e9 cinq fois aux Goya (les C\u00e9sars espagnols), ce drame soci\u00e9tal avance masqu\u00e9 comme un thriller mettant progressivement en lumi\u00e8re les tenants et aboutissants d\u2019un r\u00e9cit o\u00f9 les catastrophes s\u2019encha\u00eenent avec coh\u00e9rence. Con\u00e7u comme une course contre la montre, \u00ab\u00a0A Contretemps\u00a0\u00bb respecte une certaine dimension th\u00e9\u00e2trale avec une unit\u00e9 de temps sur 24h et une unit\u00e9 de lieu avec une intrigue se d\u00e9roulant dans un m\u00eame quartier o\u00f9 tous les personnages sont li\u00e9s \u2013 non seulement \u00e0 l\u2019intrigue \u2013 mais aussi les uns et aux autres, de pr\u00e8s ou de loin. Juan Diego Botto renforce ce sentiment d\u2019urgence par une mise en sc\u00e8ne nerveuse centr\u00e9e sur ses protagonistes et ses acteurs avec en t\u00eate Luis Tosar et P\u00e9n\u00e9lope Cruz qui a \u00e9galement coproduit le film.<\/p><p>Thriller social entre un Ken Loach et un Asghar Farhadi, \u00ab\u00a0A Contretemps\u00a0\u00bb est un cin\u00e9ma de combat touchant, palpitant et tr\u00e8s fort qui sonne comme un vrai cri de r\u00e9volte \u2026<\/p><\/div><\/div><div class=\"x11i5rnm xat24cr x1mh8g0r x1vvkbs xtlvy1s x126k92a\"><div dir=\"auto\">Rapha\u00ebl Sallenave<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-42480e6 elementor-widget__width-initial exad-sticky-section-no exad-glass-effect-no elementor-widget elementor-widget-text-editor\" data-id=\"42480e6\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"x11i5rnm xat24cr x1mh8g0r x1vvkbs xtlvy1s x126k92a\"><div dir=\"auto\"><div dir=\"auto\"><div class=\"x11i5rnm xat24cr x1mh8g0r x1vvkbs xtlvy1s x126k92a\"><div dir=\"auto\"><div class=\"x11i5rnm xat24cr x1mh8g0r x1vvkbs xtlvy1s x126k92a\"><div dir=\"auto\"><div class=\"x11i5rnm xat24cr x1mh8g0r x1vvkbs xtlvy1s x126k92a\"><div dir=\"auto\"><div class=\"x11i5rnm xat24cr x1mh8g0r x1vvkbs xtlvy1s x126k92a\"><div dir=\"auto\"><div dir=\"auto\"><div class=\"x11i5rnm xat24cr x1mh8g0r x1vvkbs xtlvy1s x126k92a\"><div dir=\"auto\"><div class=\"x11i5rnm xat24cr x1mh8g0r x1vvkbs xtlvy1s x126k92a\"><div dir=\"auto\"><div class=\"x11i5rnm xat24cr x1mh8g0r x1vvkbs xtlvy1s x126k92a\">\u00a0<\/div><div class=\"x11i5rnm xat24cr x1mh8g0r x1vvkbs xtlvy1s x126k92a\"><div dir=\"auto\"><p style=\"text-align: center;\">{English below &amp; Espa\u00f1ol final}<\/p><p>For his first feature film, Juan Diego Botto delivers a committed film that is as gripping as it is moving, blending its social statement with the unrelenting tension of a thriller. Co-written with investigative journalist Olga Rodriguez (his wife), his script tackles the issue of home evictions during the economic crisis in Spain. The film features a lawyer in perpetual motion, a figure of the vigilante overwhelmed by the powerlessness of a man who runs even if it means screwing up his own life; a brave mother whose eviction is imminent but refuses to give up and believes in solidarity; and an ensemble of characters hit by the effects of this crisis. \u201cOn the Fringe\u201d thus interweaves three stories whose characters intersect at an overproductive pace in the face of institutions deaf to suffering. Indeed, the film&rsquo;s real central character is the system it depicts, that of dehumanized capitalism, a blind juggernaut that can only overwhelm its own puppet-cogs.<\/p><p>Presented at the Venice Film Festival 2022 and nominated five times for the Goya (the Spanish Oscars), this societal drama unfolds in a thriller-like fashion, gradually revealing the ins and outs of a story in which one disaster follows another in a coherent pattern. Designed as a race against time, \u201cOn the Fringe\u201d adheres to a certain theatrical dimension, with a unity of time over 24 hours and a unity of place, with the plot taking place in the same neighborhood, where all the characters are connected \u2013 not only to the plot \u2013 but also to each other, in one way or another. Juan Diego Botto enhances this sense of urgency with a dynamic direction focused on the protagonists and the actors led by Luis Tosar and Penelope Cruz, who also co-produced the film.<\/p><p>As a social thriller somewhere between a Ken Loach and an Asghar Farhadi, \u201cOn the Fringe\u201d is a poignant, thrilling and powerful fighting cinema that rings out like a true cry of revolt&#8230;<\/p><\/div><\/div><div class=\"x11i5rnm xat24cr x1mh8g0r x1vvkbs xtlvy1s x126k92a\"><div dir=\"auto\">Rapha\u00ebl Sallenave<\/div><div dir=\"auto\">\u00a0<\/div><div dir=\"auto\" style=\"text-align: center;\"><strong>ESPA\u00d1OL<\/strong><\/div><div dir=\"auto\">\u00a0<\/div><div dir=\"auto\">La opera prima de Juan Diego Botto es un largometraje implicado, tan sobrecogedora como conmovedora, que combina su mensaje social con la tensi\u00f3n permanente de un thriller.<\/div><div dir=\"auto\"><p>Coescrito con la periodista de investigaci\u00f3n Olga Rodr\u00edguez (su mujer), su guion aborda los desahucios durante la crisis econ\u00f3mica en Espa\u00f1a. La pel\u00edcula presenta a un abogado en perpetuo movimiento, un hombre que act\u00faa como un justiciero abrumado por la impotencia que le provoca la situaci\u00f3n de muchas familias, que huye aunque sea para fastidiarse la vida; una madre con un con much\u00edsimo coraje y cuyo desahucio es inminente, pero que sigue luchando porque se niega a perder y una parte de ella todav\u00eda cree en la solidaridad; y una galer\u00eda de personajes afectados por los efectos de esta crisis, cuyos efectos todav\u00eda hoy viven muchas personas.\u00a0<\/p><p>\u201cEn los m\u00e1rgenes\u201d entrelaza tres historias cuyos personajes se cruzan a un ritmo fren\u00e9tico ante unas instituciones sordas al sufrimiento. El verdadero personaje central de la pel\u00edcula es el sistema que describe, el de capitalismo deshumanizado, una apisonadora ciega que s\u00f3lo puede arrollar a aquellos de los que se nutre.<\/p><p>Presentada en el Festival de Venecia de 2022 y nominada cinco veces a los Goya, este drama de sociedad avanza enmascarado como un thriller, desvelando poco a poco los entresijos de una historia en la que una cat\u00e1strofe sigue a otra con una coherencia sorprendente. Concebida como una carrera contrarreloj, \u201cEn los m\u00e1rgenes\u201d respeta una cierta dimensi\u00f3n teatral, con una unidad temporal de 24 horas y una unidad de lugar, al desarrollarse la trama en un mismo barrio en el que todos los personajes est\u00e1n vinculados \u2013 no s\u00f3lo a la trama \u2013 sino tambi\u00e9n entre s\u00ed, de cerca y de lejos. Juan Diego Botto refuerza esta sensaci\u00f3n de urgencia con una direcci\u00f3n nerviosa centrada en sus protagonistas y actores, encabezados por Luis Tosar y Pen\u00e9lope Cruz, siendo esta \u00faltima tambi\u00e9n coproductora de la pel\u00edcula.<\/p><p>Thriller social a caballo entre un Ken Loach y un Asghar Farhadi, \u201cEn los m\u00e1rgenes\u201d es una pel\u00edcula de combate conmovedora, trepidante y poderosa, que suena como un aut\u00e9ntico grito de rebeli\u00f3n \u2026<\/p><p>Rapha\u00ebl Sallenave<\/p><p>(Traducido por A.A.)<\/p><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-e213b9d elementor-section-boxed elementor-section-height-default elementor-section-height-default exad-glass-effect-no wpr-particle-no wpr-jarallax-no wpr-parallax-no wpr-sticky-section-no exad-sticky-section-no\" data-id=\"e213b9d\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-f72c849 exad-glass-effect-no exad-sticky-section-no\" data-id=\"f72c849\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap\">\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-672825f elementor-section-boxed elementor-section-height-default elementor-section-height-default exad-glass-effect-no wpr-particle-no wpr-jarallax-no wpr-parallax-no wpr-sticky-section-no exad-sticky-section-no\" data-id=\"672825f\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container 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decoding=\"async\" width=\"300\" height=\"155\" src=\"https:\/\/rsgproduction.fr\/wp-content\/uploads\/2024\/05\/Snapshot_1067-300x155.png\" class=\"attachment-medium size-medium wp-image-9526\" alt=\"\" srcset=\"https:\/\/rsgproduction.fr\/wp-content\/uploads\/2024\/05\/Snapshot_1067-300x155.png 300w, https:\/\/rsgproduction.fr\/wp-content\/uploads\/2024\/05\/Snapshot_1067-1024x529.png 1024w, https:\/\/rsgproduction.fr\/wp-content\/uploads\/2024\/05\/Snapshot_1067-768x397.png 768w, https:\/\/rsgproduction.fr\/wp-content\/uploads\/2024\/05\/Snapshot_1067.png 1500w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/>\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t\t\t<figcaption class=\"widget-image-caption wp-caption-text\">Border Line<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-top-column elementor-element elementor-element-665da42 exad-glass-effect-no 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https:\/\/rsgproduction.fr\/wp-content\/uploads\/2024\/06\/Snapshot_1238-768x397.png 768w, https:\/\/rsgproduction.fr\/wp-content\/uploads\/2024\/06\/Snapshot_1238.png 1500w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/>\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t\t\t<figcaption class=\"widget-image-caption wp-caption-text\">Dissidente<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-875976c elementor-section-boxed elementor-section-height-default elementor-section-height-default exad-glass-effect-no wpr-particle-no wpr-jarallax-no wpr-parallax-no wpr-sticky-section-no exad-sticky-section-no\" data-id=\"875976c\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-750e6fe exad-glass-effect-no exad-sticky-section-no\" data-id=\"750e6fe\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-65b3baa exad-sticky-section-no exad-glass-effect-no elementor-widget elementor-widget-spacer\" data-id=\"65b3baa\" data-element_type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>A Contretemps \u00a0 En los m\u00e1rgenes (On the Fringe) 2022\/2023 FR\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0EN \u00a0 Pour son premier long-m\u00e9trage, Juan Diego Botto signe un film engag\u00e9 tout aussi haletant qu\u2019\u00e9mouvant\u00a0en m\u00ealant son message social \u00e0 la tension constante d\u2019un thriller. Co-\u00e9crit avec la journaliste d\u2019investigation Olga Rodriguez (sa femme), &hellip;<\/p>\n<p class=\"read-more\"> <a class=\"\" href=\"https:\/\/rsgproduction.fr\/?p=10600\"> <span class=\"screen-reader-text\">A Contretemps<\/span> Lire la suite\u00a0\u00bb<\/a><\/p>\n","protected":false},"author":1,"featured_media":10637,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"elementor_header_footer","format":"standard","meta":{"_acf_changed":false,"_eb_attr":"","om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","footnotes":""},"categories":[22],"tags":[],"class_list":["post-10600","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-non-classe-en"],"acf":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/rsgproduction.fr\/index.php?rest_route=\/wp\/v2\/posts\/10600"}],"collection":[{"href":"https:\/\/rsgproduction.fr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/rsgproduction.fr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/rsgproduction.fr\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/rsgproduction.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=10600"}],"version-history":[{"count":16,"href":"https:\/\/rsgproduction.fr\/index.php?rest_route=\/wp\/v2\/posts\/10600\/revisions"}],"predecessor-version":[{"id":17153,"href":"https:\/\/rsgproduction.fr\/index.php?rest_route=\/wp\/v2\/posts\/10600\/revisions\/17153"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/rsgproduction.fr\/index.php?rest_route=\/wp\/v2\/media\/10637"}],"wp:attachment":[{"href":"https:\/\/rsgproduction.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=10600"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/rsgproduction.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=10600"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/rsgproduction.fr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=10600"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}